Saturday, December 11, 2010


Photo Credit: Christian Rose

In line with the previous post, it keeps nagging at me just how special these two artists are and how rare they are in today's world. I wish someone could tell me why there is no biography of Herbie !!!
Truly brothers of the souls, they keep exploring and creating a classical music of our time. A music that is without boundaries, that gathers up all that has gone before and moves forward into the unknown. We really should pay great attention and respect to these voices for however much longer they are with us. Like Miles, they will not be heard again once they depart. In Japan artists are granted Living Treasure status... we should recognize as much here.
At 5:10 of this clip the two Masters demonstrate all the beauty and strength of their singular art:
Meridianne, A Wood Sylph
and from Japan in 1990:
Wayne Shorter was presented with the 2009 Distinguished Alumni Achievement Award at NYU Steinhardt's Baccalaureate Ceremony in Honor of the Class of 2009 on Monday, May 11, 2009 at Radio City Music Hall. It is a joy to hear Wayne speak.

Wayne and Joe Zawinul, of course, shared a similar connection. Any doubt that these are classical masters is done away with in this clip . Joe paints a masterful Impressionist portrait that eventually culminates in " A Silent Way" and "Boogie Woogie Waltz".
Obviously nearing the end of his life , these two clips of their last duet together is striking in the depth of emotion these two men express towards each other with just a few simple gestures and in the course of their playing. That things like this exist on Youtube, making it possible for us to experience what we otherwise could not, is a wonderful thing. Many thanks to the posters.

Friday, December 10, 2010


In 2004, this quartet launched an incredible tour. They called it "The Forensic Music Tour ". Herbie spoke about how the quartet worked from skeleton arrangements: "We're constantly reclassifying the bones - it's forensic music.". The three elder statesmen seemed to be playing from a very, very deep well that they have developed throughout their long careers. The ghost of Tony Williams emanated from the younger Mr. Blade's drums, who proved himself more than capable of riding any currents these great Lions pursued. Steering the direction at times was his role as well. A most kind and generous person provided me with an elaborate set of private recordings from this tour, all of excellent quality. It is one of the best gifts I have ever received. This is music of the highest order. It often seems to me to be emanating from a place beyond this mortal plain. Not surprisingly, there are deep echoes from the Miles "Classic" Quintet era, as well as a sense of the early "absence of ego" improvisation that the 1st incarnation of Weather Report created. These are Master Painters spinning tone poems into the ether. It is like they are riding bicycles though space. Herbie's playing is a culmination of so much of the greatness he has produce in his 7 decades...always Jazz, but often recalling the great mastery of Debussy . Wayne plays so much from the heart and the mind....reaching down deep to thrust out into the great unknown with never a false step. Holland, as always , a great master who you never notice until you do , and then...there he is effortlessly moving ahead and taking you with him. For me, Miles' classic "Filles de Kilimanjaro" has always been one of my most treasured listening I return to every year and still find fresh. I never thought I would find music like it ever again ... and then, along comes 2004 and HSHB and there it extension, a variation, but born of the same stream without a doubt.
And so... the Great Mystery . Why has this music never been officially released ? The current Wayne Shorter group, which shares much in common with HSHB, has a great "official" representation...both live and studio. There is a DVD available. But there is so much great music in the set of recordings I have... indeed every concert is drastically different even though the selections are the same.....that is tragic that it is not available for the world.. a world that would benefit greatly from the great inspiration and healing this music provides. The historical and artistic importance of this tour is epic. Imagine if there were a cache of Monet's or Van Goghs discovered and not released to the world. Such is the case here.
Respecting the artists' right to have this music remain private until they deem otherwise, I cannot post it here. But here are links to performances on Youtube where you can soak in this music and see these masters at work. Here is a set of links to make it easier to watch all of these:
Jazz A Vienne Parts 1-7
Visitor From Nowhere

Monday, March 15, 2010


Bellargeau, better know as Ti Roro, Haitian Master drummer, plays his drum and sings simple melodies over complex rhythms. Like a Hendrix of the conga, this master is truly deserving of wider recognition. This is a vinyl transfer from a budget label, almost impossible to find.



A recording I have returned to over and over since it was released in 1968. The timeless "crying" tone of the sarangi is haunting. Why it is not available is beyond me.

Sunday, February 21, 2010


One of the great underrated recordings of all time...kind of a "Kind Of Blue" of folk music from the 60s..Eric was a prolific painter and illustrator, writer, and a blues man with a painter's soul and a poet's wit...but this Prestige recording, with Geoff Muldaur on 2nd guitar, the unique Mel Lyman on mouth harp, liner notes by Richard Farina stands above all else he recorded.. it is just one of those sessions where something was in the air and it got put down on wax...seems almost unknown and that has always escaped me...the original "Joshua Gone Barbados" is one did it better..great musical pathos..great words...come on... someone put this out again !

Saturday, February 20, 2010


Another vinyl jewel that features the brilliant performance of Britten's masterful Nocturnal, a set of variations that works toward the original at the end, Dowland's "Come Heavy Sleep"...there are some pops and clicks here, but the Nocturnal is remarkably clear to my ear....


Bream is, at least today, very underrated....his vision encompasses a wide arc from Dowland, through Bach, The Romantics and The Impressionists to the very Contemporary...a true master the world spins faster all the time , good things can get left in the is a small treasure. The centerpiece is the 30 minute+ Royal Winter Music by Henze, but the Bagatelles by Walton are gems where virtuosity meets brilliant composition... a beautiful recording


Pretty hard to find this one...was there ever a Book 2 from her ?

Nyireghyazi Plays Grieg And Tchaikovsky

NYIREGYHAZI Plays Tchaikovsky Bortkiewicz Grieg Blanchet' . . . Columbia Masterworks Records (U.S. stereo, 1979)...long out of print...well deserving of a CD reissue I would think